REMEMBRANCE SUNDAY
November 11, 2001
LAY ASSISTANTS: John Arnup,
representing Veterans; Jo-Anne Bentley; Trevor Buckley; Elizabeth Elliott, representing
Veterans: RCAF(WD); Katherine Gray; David Henson; Heather McPherson; Gordie
Steiner, from the confirmation class; Karelle Steiner.
GATHERING
PREPARATION FOR
WORSHIP: 526 "Weep for the Dead"
You may wish to
prepare for worship by using this text as a focus for prayer and reflection.
You may also wish to write names of those you remember today on the insert
found in your bulletin. The names may
be offered to be brought forward later for the Wall of Remembrance.
PRELUDE -
*HYMN: 688 "O
Day of God, Draw Nigh" ST.
MICHAEL
*GREETING:
PRAYER OF APPROACH
AND CONFESSION: (responsive)
Gracious and holy
God,
we come before you in praise and
remembrance.
Be with us today,
in our heads and in our understanding,
in our mouths and in our speaking,
in our hearts and in our speaking.
We remember all who
have served you
and now rest in your everlasting
arms.
And we remember the
horrors of war, past and present:
the holocaust and terror,
the death and destruction.
For those qualities
in us that make war possible,
for times when we have not sought
justice or peace,
for times when we have deadened our
spirits to the suffering of others,
forgive us, we pray.
(Silent prayer)
KYRIE:
ASSURANCE OF
FORGIVENESS
INTROIT: God, Be in My Head.
SHARING WITH EACH
OTHER: (With Gordie
Steiner)
We hear "In Flanders
Fields" and sing "O Canada": HYMN
524
SERVICE OF THE WORD
*A LITANY OF PRAISE
AND REMEMBRANCE, based on Psalms 46 and 90
(Trevor Buckley)
Sung: O God, our help in ages past,
our
hope for years to come,
our
shelter from the stormy blast
and
our eternal home.
God is our refuge
and strength,
a very present help in trouble.
Therefore we will
not fear, though the earth should tremble
and the mountains tumble and slide
into the sea,
though
the waters foam and rage,
and mountains shake at their
surging.
The Lord of Hosts
is with us;
the God of Israel is our refuge.
Before
the hills in order stood,
or
earth received its frame,
from
everlasting, thou art God,
to
endless years the same.
There is a river
whose streams make glad the city of God,
the holy dwelling of the Most High.
God is in its
midst; it stands firm;
God will help us at the break of
day.
Even if the nations
are in chaos, and kingdoms fall,
God's voice resounds; the earth
melts away.
The Lord of Hosts
is with us;
the God of Israel is our refuge.
Under
the shadow of thy throne
thy
saints have dwelt secure;
sufficient
is thy arm alone
and
our defence is sure.
Come and see what
God has done,
the wonders wrought upon the earth.
All over the world,
God makes wars to cease -
breaking bows, splintering spears,
burning the chariots with fire!
God says: "Be
still and know that I am God.
I am exalted among the nations,
exalted upon the earth.
The Lord of Hosts
is with us:
the God of Israel is our refuge.
A
thousand ages in thy sight
are
like an evening gone:
short
as the watch that ends the night
before
the rising sun.
O
God, our help in ages past,
our
hope for years to come,
be
thou our guard while troubles last
and
our eternal home.
REVELATION
CONCLUDES IN A VISION OF THE HOLY CITY:
Revelation
22: 1-8 (John Arnup)
A prophecy of
God and people, dwelling together in holy peace.
AN ACT OF
REMEMBRANCE
HYMN 527 "God!
As with Silent Hearts"
Readings for the
Act of Remembrance come from The Stone Carvers, by Jane Urquhart, a
Giller-nominated novel which describes,
in part, the building of the memorial at Vimy Ridge, in France, to commemorate
Canadian soldiers killed in the First World War. (McClelland And Stewart, 2000)
Thanks to Katherine
Gray for her depiction of the memorial printed on your Order of Service.
(During the hymn,
tea lights placed in a semi-circle on a black riser in the middle of the
sanctuary are lit. Then readers come
forward to form a circle around the riser. Readers and soloist step on to the
riser for their reading/ solo, then back to the circle, to stand for the other
readings and the ‘Time of Remembrance’.)
INTRODUCTION: (Lillian) The novel
The Stone Carvers, by Jane Urquhart, tells the story, among others, of the
building of the Vimy Memorial, of the vision that created it, of Walter
Allward, from Toronto, its builder, of some of the people it memorializes, of
the monument taking form over the fields of France, of statues that became part
of it, of carving more than 11,000 names in its base. Sometimes, in the book,
the author refers to the monument as ‘twin towers’ and as you look at the
depiction here on the Wall of Remembrance and printed on your O/S, you will see
why. As so often happens on this day, as we remember one event, we call to mind
many others. On this Nov. 11, it is inevitable that we will remember those
other towers, that other eleventh day. As we listen, let us hold all these
memories in our hearts, bring them into the light, and pray, ‘let there be
light, let there be understanding’.
Each reader in turn
to riser, in circle of candles - to read:
Begin by saying:
“God, be in our heads and understanding as we bring these memories into the
light of your love.” - read -
pause - say: “Let there be light, let
there be understanding...”
off riser to stand
in the circle.
1. THE VISION OF
VIMY
- from pp. 266-267 of The Stone Carvers (Elizabeth Elliott)
“God, be in our
heads and understanding as we bring these memories into the light of your
love.”
Today we try to
remember. The Vimy Memorial was built at the site of the great 1917 battle of
Vimy Ridge, won with huge losses by Canadians who lived for weeks in tunnels
they had carved themselves out of the chalky soil, before bursting out of these
tunnels on April 9, into a hell of mud and shrapnel. It was designed and built
by Walter Allward of Toronto: During the First World War he was too old to go
overseas. But then came the vision:
‘Who knows who or
what shattered his indifference, or why, but the last years of the war came to
him as a great awakening that let all the horror in, and he dreamed the Great
Memorial well before the government competition was announced. He saw the huge
twin pillars commemorating those who spoke French and those who spoke English,
the allegorical figures with downcast or uplifted faces, and in the valley
beneath the work of art, the flesh and bones and blood of the dead stirring in
the mud. And then the dead themselves emerged like terrible naked flowers, pleading
for a memorial to the disappeared, the vanished ones... those who were
unrecognizable and unsung. The ones earth had eaten, as if her appetite were
insatiable; as if benign nature had developed a carnal hunger, a yawning mouth,
a sinkhole capable of swallowing, forever, one-third of those who had fallen. A
messy burial without a funeral, without even a pause in the frantic
slaughter.’(Pause)
“Let there be light, let there be
understanding...”
Step down, to
circle.
2. WHO WERE
THESE BOYS? - from p. 267 (Karelle
Steiner)
“God, be in our
heads and understanding as we bring these memories into the light of your
love.”
Who were these boys
with their clear eyes and their long bones, their unscarred skin and their
educated muscle? How was it possible that they were destined to be soldiers? In
what rooms had they stood? In what shafts of sunlight? Prairie grasses
quivering beyond the old watery glass of farm windows. Snow falling softly on
small uncertain cities, or into the dark lakes of the north. And all the
footsteps they left in the white winter of 1914 would be gone by spring, the
boys themselves gone the following autumn.
Allward wanted
white, wanted to recall the snow that fell each year on coast and plains and
mountains, the disappeared boys names preserved forever, unmelting on a vast
territory of stone that was as white as the frozen winter lakes of the country
they had left behind. (Pause)
“Let there be
light, let there be understanding
Step down, to
circle.
3. SOLO: “I Vow to Thee, My Country”(Peter
Fisher) GUSTAV HOLST
- (print words)
4. THE MONUMEN T TAKES FORM (Heather McPherson)
“God, be in our
heads and understanding as we bring these memories into the light of your
love.”
Visible from a
distance of forty miles, the two massive irregular pylons stretching toward the
sky like white bone needles or remarkable stalactites, even the skeleton of the
memorial had become a feature of the French landscape. The Italian carvers were
beginning to work on the figures Allward had cast in plaster in his London
studio. The names of the eleven thousand missing men were being collected and
the complicated mathematics necessary to fit these names into the space
available on the base was being undertaken.
The most recent set
of figures had suggested that it would likely take four stone carvers two years
to chisel the hundreds of thousands of characters into the stone. Lines,
circles, and curves corresponding to a cherished, remembered sound called over
fields at summer dusk from a back porch door, shouted perhaps in anger or
whispered in passion, or in prayer, in the winter dark. All that remained of
torn faces, crushed bone, scattered limbs.(Pause)
“Let there be
light, let there be understanding
Step down, to
circle.
5. THE SITE - from
pp. 299-300 (David Henson)
“God, be in our
heads and understanding as we bring these memories into the light of your
love.”
Tillman quickly
located at the market in Arras a farmer with a cart who was delighted by the idea
of being able to convey two new workers to the massive sculpture at Vimy six
miles away. As they got nearer to the site the terrain through which they
rolled became unsettling in its disorder, the farmer pointing out germinating
tenches, muddy craters, barbed wire, shell holes. Acres and acres remained
fenced off, posted out of human bounds as active shells and mines still
littered the surface and hid in the depths of the earth. Each crossroad they
passed through was defined by a mound of rubble where once there had been a
hamlet... and by men (who) still toiled at reconstruction. All this more than
sixteen years after the troops had gone home, leaving in their wake a torn,
unrecognizable landscape, a wind full of ashes, and the smell of rotting flesh.
The most manicured and orderly spots were the household gardens... and the
military cemeteries... where the grass that covered the graves was mostly
green, ironically unscarred. Tillman would not look at the graveyards, stared
straight ahead as they lumbered past these inappropriately tidy reminders of
tragedy, these gardens of the dead. ‘I
can’t look at them yet,’ he told Klara, who had reacted with shock at the
quantity of headstones and crosses. ‘Just, please, don’t make me talk about
it....’
Above all this on
the horizon rose the twin white towers of the monument.... (Pause)
“Let there be
light, let there be understanding
Step down, to
circle.
6. THE WIND, THE
LARK, THE CARVERS - from pp. 290-291 (Jo-Anne Bentley)
“God, be in our
heads and understanding as we bring these memories into the light of your
love.”
The carvers toiled
to accurately tease the great female figures of Peace, Knowledge, Justice and
Truth from the huge stones.
The wind tore
across the ridge some days, shaking the studio and causing the men to stagger like drunks under glass skylights
drenched with rain. On other days there was golden light, a view across
cultivated fields to villages still only half reconstructed after the
annihilation of a war now (many years) gone. Italian workers knelt on
scaffolding erected inside the studio and worked with such concentration it was
as if they were engaged in the act of worshipping the human body.
Although he
couldn’t see them, it was possible at times for Giorgio the hear airborne larks
singing on the other side of the thin studio wall. They provided a kind of
thrilling accompaniment to the heart-breaking songs the Italians sang while
Giorgio moved his chisel and then the palms of his hands over the magnificent...
Statue of Peace, the drapery that covered her... or while he ran his fingers
across the bones of her cool hand.
(Pause)
“Let there be
light, let there be understanding
Step down, to
circle.
7. THE NAMES AND
THE BIBLES - from pp. 347,
377 (Katherine Gray)
“God, be in our
heads and understanding as we bring these memories into the light of your
love.”
Then (the carver),
Giorgio, became serious.“There is absolutely nothing,” he said, “like the
carving of names. Nothing like committing to the stone this record of someone
who is utterly lost.”
[Later Allward
watched carvers engraving a name of someone they had known:] and he knew that
passion was entering the monument itself, the huge urn he had designed to hold
grief....“Carve it in your heart then,”he said, speaking to them, to himself.
“Let it go out of your heart and into the stone.”
They were again
sitting at the entrance to the studio, looking out over the beautiful fields
whose patterns had been determined a thousand years ago, fragmented by the war,
then reassembled in recent times. If you overlooked the dimpling of the
craters, which were now covered by green, you could, from this elevated
position, easily believe that the calm landscape had never known battle. And,
yet, each year, war’s detritus was
plentifully
unearthed by the blade of the plough. One farmer had told Giorgio that since
the war he had discovered at least fifty small bibles - French, English, and
German - in the plot of earth where he grew his turnips. And often these bibles
were found in the torn and decayed pocket of a military uniform, along with a
mud-soaked photograph or a stained and unreadable letter from home.(Pause)
“Let there be
light, let there be understanding
Step down, to
circle.
*A TIME OF
REMEMBERING
(Sung) ‘For the Fallen’
(Glyn)
Silence
‘The Last Post’
and
‘Reveille’ - trumpet from balcony
(All readings taken
from ‘The Stone Carvers’, by Jane Urquhart, pub. 2000, McClelland and Stewart;
slightly edited for context.)
RESPONSE TO THE
WORD
*AFFIRMATION OF
FAITH: (p. 918)
CONGREGATIONAL LIFE
AND WORK
DEDICATION OF THE
BOOK OF REMEMBRANCE
PRESENTATION OF
GIFTS
OFFERTORY ANTHEM - ‘Greater Love Hath
No Man’
- print words -
During the anthem
and offering, members of the congregation are invited to place in baskets the
name(s) of those remembered today. Names offered in remembrance will be placed
on the wall as we sing the recessional hymn. Please look at the names on the
wall as you leave, so that we may all ‘bring them into the light. They will
later be transcribed into the ‘Book of Remembrance’ for future
remembering.
*DEDICATION HYMN 678
*DEDICATION PRAYER
PRAYERS OF THE
PEOPLE AND THE LORD'S PRAYER (Elizabeth and
Trevor)
Gracious God, our help in ages past, our hope for years to come,
in memory and in hope,
we come before you.
We bless you for your presence with us in our greatest joy and our most
crushing sorrow.
We thank you for love and life; for friends and family.
Bless our remembering, O God.
God, be in our
heads and understanding as we bring our memories into the light of your love.
On this Sunday of remembering, we offer prayers of thankfulness and care
for those who have gone
before us, those who died that we might live,
who suffered and still
suffer in defence of the dignity of all people.
We remember men and women who have struggled for peace, stood against
evil,
sought justice with the
sacrifice of their blood, their bodies,
their minds, their
futures, their lives -
in the great European
wars, in wars in Asia, the Middle East,
Eastern Europe,
Southern Africa, Latin America -
wherever the human
struggle for justice and hope has been fought with pain and sacrifice.
God, be in our
hearts and thinking as we bring our memories into the light of your love.
And we remember that many throughout your world still live where war and
terror,
violence and injustice,
are part of daily life.
We remember those we do not know: children, men, women, and all your
creatures
whose eyes have seen
the darkness of war.
We ask your presence with them in struggles for justice and peace,
and with us as we try
to discern how best to assist them.
For the healing of the nations, O God, we pray.
God, be in our
heads and understanding as we bring our memories into the light of your love.
In memory of those who died in war, and in the firm and fervent hope
of a just and lasting
peace for all people, we ask that you pour your gift of healing grace upon us.
Comfort and strengthen those who suffer from oppression and natural
disaster,
from hunger and
isolation, from illness and sorrow.
And keep us all ever mindful of the peace that is more than the absence
of war
the peace that is the
presence of compassion and understanding,
faith and hope, justice
and love, throughout all creation.
Help us to build a world that has no room for hatred, no place for
violence,
a world in which love
can live.
God, be in our
hearts and thinking as we bring our memories into the light of your love.
We gather these and all our prayers, thankful that we may turn to you as
to a Mother watching over us, as Our Father who art in heaven ...
GOING FORTH
*HYMN 678 `For the Healing of the Nations' WESTMINSTER
ABBEY
(Karelle, Gordie,
Heather and David place the names on the wall of remembrance.)
*BLESSING AND
SENDING FORTH
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